Dive into Atlantic

The definitive history of this groundbreaking record label, founded in 1947 in New York by Ahmet Ertegun and Herb Abramson, features Ray Charles, Aretha Franklin, Otis Redding, Led Zeppelin, the Rolling Stones, Stevie Nicks, Coldplay, Bruno Mars, Lizzo, and countless other music legends, shot by many of the greatest music photographers of all time.

In 1947, when Ahmet Ertegun and two fellow music fans started Atlantic Records in New York City, they never could have known that their passion for discovering artists and making records would shape 75 years of popular culture. The reason for such tremendous global success is simple: Atlantic is a groundbreaking industry model that embraced and championed a wide range of genres: Black music like R&B, soul, jazz, and hip-hop, as well as rock, pop, dance, and more.

75 Years of Atlantic Records is the official and definitive photographic history of this legendary record label; four years in the making, and featuring images from Atlantic’s extensive archives, many of them published here for the first time. Check out soul pioneers like Aretha Franklin and Ray Charles; jazz innovators like John Coltrane and Charles Mingus; era-defining pop acts like the Bee Gees and ABBA; rock legends like Led Zeppelin and the Rolling Stones; trailblazing singers like Roberta Flack, and Stevie Nicks, and today’s stars like Ed Sheeran and Charli xcx. Presented in formal portraits, live performance shots, decisive moments in the studio, and intimate glimpses behind the scenes are captured by some of the world’s greatest photographers, including Annie Leibovitz, Jim Marshall, Lee Friedlander, Walter Iooss Jr., Chuck Stewart, Albert Watson and David LaChapelle.

Fascinating captions by Richie Unterberger and Herb Powell provide context while award-winning writers David Ritz, Ben Ratliff, Elizabeth Nelson, Barney Hoskyns and others examine the label’s various genres, alongside a timeline and profiles of the label’s pioneers. A foreword by Bruno Marsdeclares that Atlantic revolutionized how records were made and heard. Now this story has been fully and beautifully documented—a must-have for music lovers.

Details:

• Hardcover in slipcase, 13.0 x 13.0 in., 11.33 lb, 462 pages
• ISBN 978-3-8365-9205-5
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Give your TASCHEN books a support with style

Made from glass-like acrylic, our book stands are available in four bold, eye-catching colours or as a transparent version. Three sizes offer space for almost our entire catalogue and present your TASCHEN favorites with both care and style, either closed or open for browsing. The perfect pedestal for your collection!

New photography of the Dutch master’s works in XXL resolution

Discover the complete works of Pieter Bruegel the Elder, the most significant artist of Flemish Renaissance painting. Marking the 450th anniversary of his death and his first ever monographic exhibition at the Kunsthistorisches Museum in Vienna, this XXL monograph gathers all 40 paintings, 65 drawings, and 89 engravings—each piece a unique witness to both the religious mores and the close-knit folk culture of Bruegel’s time.

The life and times of Pieter Bruegel the Elder (c. 1526/30–1569) were marked by stark cultural conflict. He witnessed religious wars, the Duke of Alba’s brutal rule as governor of the Netherlands, and the palpable effects of the Inquisition. To this day, the Flemish artist remains shrouded in mystery. We know neither where nor exactly when he was born. But while early scholarship emphasized the vernacular character of his painting and graphic work, modern research has attached greater importance to its humanistic content.

Starting out as a print designer for publisher Hieronymus Cock, Bruegel produced numerous print series that were distributed throughout Europe. These depicted vices and virtues alongside jolly peasant festivals and sweeping landscape panoramas. He would eventually increasingly turn to painting, working for the cultural elite of Antwerp and Brussels.

This monograph is a testament to Bruegel’s evolution as an artist, one who bravely confronted the issues of his day all the while proposing new inventions and solutions. Rather than idealizing reality, he addressed the horrors of religious warfare and took a critical stand against the institution of the Church. To this end, he developed his own pictorial language of dissidence, lacing innocuous everyday scenes with subliminal statements in order to escape repercussions.

To produce this XXL-sized collection, TASCHEN undertook a comprehensive photographic campaign, capturing all the breadth and splendid detail of Bruegel’s oeuvre like never before. The result gathers all 40 paintings, 65 drawings, and 89 engravings in pristine reproductions—each piece a unique witness to both the religious mores and the close-knit folk culture of Bruegel’s time.

Marking the 450th anniversary of his death and his first ever monographic exhibition at the Kunsthistorisches Museum in Vienna, this volume is the most immersive journey into Bruegel’s unique visual universe.

Details:

• The Authors: Jürgen Müller, Thomas Schauerte
• Hardcover with fold-outs, 11.4 x 15.6 in., 13.18 lb, 492 pages
• ISBN 978-3-8365-5689-7
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Ever heard of surrealist fine dining? This must-have reprint of Les diners de Gala reveals the exotic flavors and elaborate imaginings behind the legendary dinner parties of Salvador and Gala Dalí. With recipes from such leading Paris restaurants as La Tour d’Argent and Maxim’s, a special section on aphrodisia, and bespoke illustrations from Dalí himself, this book is at once an artwork, a practical cookbook, and a delicious morsel of multisensory pleasure.

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David Bailey’s take on the era of excess

Padded shoulders, big hair, and bold colors: Go back in time to the decade of decadence with Great Britain’s most renowned fashion and portrait photographer, David Bailey. Featuring dozens of assignments from the pages of Vogue and Tatler and icons such as Jerry Hall, Tina Turner, and Yves Saint Laurent.

In the 1980s, fashion wanted to make a statement and found in legendary British fashion photographer David Bailey its perfect chronicler. After Bailey shaped the style of the Swinging Sixties, fashion in the eighties posed a new challenge: brighter colours, higher glamour, statuesque models, extreme makeup, spandex, lycra, jumpsuits, power dressing, big hair, and as Grace Coddington puts it in her introduction, “jackets with padded shoulders over the shortest mini-skirts and dangerously high-heeled shoes.”

Eighties compiles Bailey’s era-defining fashion photography from the pages of Vogue Italia, Vogue Paris, Tatler, and countless others. Featuring couture, catwalk, and ready-to-wear collections by the epoch’s seminal designers, including Azzedine Alaïa, Comme des Garçons, Guy Laroche, Missoni, Stephen Jones, Valentino, and Yves Saint Laurent, the book stands as a testament to a decade that dismantled hierarchies of taste to reintroduce fun and sex into fashion, reminding us that we need not think of either as dirty words. Here, the jewellery sparkles, the silks shimmer, and the suits sprawl. The most beautiful are captured at their most playful, invincible, and provocatively sexy. We see fabled 1980s icons and beauties: Catherine Bailey, Naomi Campbell, Cindy Crawford, Catherine Deneuve, Princess Diana, Jerry Hall, Marie Helvin, Grace Jones, Kelly LeBrock, Christy Turlington, Tina Turner, and many more.

The cultural resonances of the 1980s present on our screens, runways, and concert stages make today ideal for recontextualising its enduring legacy of maximalism and excess. Eighties offers a unique opportunity to do so with David Bailey as a guide, and interpreter, who’s never afraid to wink at his audience. As Bailey says in his foreword, “The eighties turned out to be magic.” Here, that magic comes alive.

Details:

• The Photographer: David Bailey
• Hardcover, 11.2 x 14.2 in., 7.82 lb, 296 pages
• ISBN 978-3-7544-0011-1
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Rising from the Ashes

A meticulous facsimile of Le case ed i monumenti di Pompei, Fausto and Felice Niccolini’s extraordinary Pompeii publication, first issued in 1854 and featuring more than 400 color plates of the buried Vesuvian city. An enduring archaeological masterpiece, the volume reveals not only maps and groundplans of Pompeii, but also the stunning interior decoration and intimate everyday objects that made up the private residences of Antiquity.

When the excavations at Pompeii were first placed on a scholarly archaeological footing in the 19th century, brothers Fausto and Felice Niccolini were close at hand and ready to respond. Making use of the newly introduced technique of color lithography, they documented the buildings, frescos, statues, as well as the most ordinary everyday objects, of the city buried in just 24 hours by the catastrophic eruption of Vesuvius and preserved for over 1,600 years under a mantle of volcanic ash.

The Niccolinis’ goal was to illustrate all aspects of life in the antique city. Their publication, Le case ed i monumenti di Pompei (“The Houses and Monuments of Pompeii”), which was issued in installments between 1854 and 1896 in Naples, presented over 400 color plates providing not only views, maps, and groundplans of the city and its public buildings, but also offered unprecedented access to Pompeii’s private residences. They revealed the astonishing painted wall decorations that adorned these long-buried abodes, their intricate works of art, and the practical utensils of everyday use, conjuring up a vivid picture of each house as a real domestic space. In total, the plates illustrated more than 1,000 items, each extensively specified and located for the first time, making the publication a major reference in Pompeii research. In addition, “animated” representations visualized daily life in Pompeii’s workshops, taverns, and shops, on its public squares, and in its temples, theaters, and baths.

This meticulous facsimile revives the Niccolinis’ extraordinary achievement with all color plates and two introductory essays setting the project in its contemporary context and presenting the historical protagonists of the Vesuvian excavations. In addition, we explore the remarkable influence exerted by Pompeian art—and by the haunting plaster casts made of victims of the eruption—on the visual arts. Across painting, sculpture, and interior design, we trace the Pompeii legacy in the work of Robert Adam, Anton Raphael Mengs, Angelika Kaufmann, Jean-Auguste-Dominique Ingres, Lawrence Alma-Tadema, Pablo Picasso, and Giorgio de Chirico, right through to recent masters Duane Hanson and George Segal.

Details:

• The Authors: Sebastian Schütze, Valentin Kockel
• Hardcover, 11.2 x 15.6 in., 14.66 lb, 648 pages
• ISBN 978-3-8365-5687-3
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Gio Ponti’s crystal dreams

Experience the boundless vision of one of the greatest architects, designers, and art directors of the 20th century. Shaped in close collaboration with Ponti's grandson Salvatore Licitra , founder of the Gio Ponti Archives, Gio Ponti is an immersive book scaled to his kaleidoscopic universe, featuring texts by Lisa Licitra Ponti and an extensive biographical essay by Stefano Casciani. An unprecedented tribute to Ponti’s achievements as ingenious publisher as well as timeless creator, the images and texts of this compelling XL rendition draw its reader closer to his work than ever before.

To study Gio Ponti’s prolific body of work is to appreciate the clear, unifying vision behind a complex creative universe. A synthesis of the arts, his creations expand intuitively with the Italian grandeur and studied lightness that defined his iconic style. Ponti’s rare capacity to move seamlessly between scales allowed him to approach the design of a teaspoon with the same conviction as he did an entire city. He was as much an architect and designer as he was a publisher, poet, and man. A treasure in its own regard, his contribution is also a distinctive landmark of Italy’s mid-century Renaissance and the modernist values it sought to realize.

This is the most comprehensive account of Ponti’s work to date, unprecedented in scale and scope. It tracks the development of his oeuvre over 6 decades, with 136 projects indexed and reproduced in high resolution, each object framed by the context in which Ponti had created it. Like windows onto his elusive life, unpublished materials and candid imagery create new dialogues between his famous masterpieces and his lesser-known feats. A rich layer of texts, featuring an extensive biographical essay by Stefano Casciani, was produced in close collaboration with the Gio Ponti Archives offering an intimate insight on his life’s work. Materializing Ponti’s core philosophy of modernity, this book presents architecture as a performing object, a "self-illuminating" stage for his humanistic art de vivre and boundless creativity.

Details:

• The Authors: Brian Kish, Fabio Marino, Lisa Licitra Ponti, Salvatore Licitra, Stefano Casciani
• The Editor: Karl Kolbitz
• Hardcover, 14.2 x 14.2 in., 14.36 lb, 572 pages
• ISBN 978-3-8365-0134-7
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A journey to unique hotels and hideaways.

Latin America is a cradle of ancient civilizations like those of the Incas, Maya and Aztecs, and later became the goal of European explorers and immigrants. It looks back on a long history, often full of contrasts and contradictions, but also has a very special multicultural atmosphere. This book presents unique, almost breathtakingly beautiful landscapes and places with extraordinary hotels. Short texts and practical information complement the superb photos.

The places to stay shown here include the Anavilhanas Jungle Lodge in the Brazilian Amazon and the Uxua on the beach of Trancoso, for which a Dutch designer has transformed historic buildings into villas in ethnic style. Big Bang in Uruguay is a wonderful place for glamping between the ocean and the forest. The elegant vacation destinations of this country are home to the Fasano Punta del Este by the architect Isay Weinfeld and the Posada Ayana, where the American Land Art star James Turrell has installed one of his famous Skyspaces on the estate.

This journey also goes to the Explora El Chaltén at the foot of Monte Fitz Roy in rugged Patagonia, to the Tierra Atacama in the world’s driest desert in Chile, to the mid-century classic Antumalal, and to Easter Island, guarded since time immemorial by the huge stone sculptures of the Moai. In Peru visitors follow in the footsteps of the Incas through Valle Sagrado, site of the ruined city of Machu Picchu, and get to know the indigenous Achuar people in Ecuador while staying at the Kapawi Ecolodge.

The itinerary also takes in Columbia – with the picturesque Hotel San Pedro de Majagua on Isla Grande. At the Nantipa in Costa Rica, three friends have made their dream of the ideal beach hotel come true, and in Nicaragua an American brother and sister have found their own paradise on a private island, the Isleta El Espino. This book would not be complete without Mexico, of course – including, for example, Alberto Kalach’s spectacular Hotel Terrestre in Puerto Escondido, the eclectic Mesón Hidalgo combining a bed & breakfast with boutiques in San Miguel de Allende, and the luxurious, laid-back Hotel San Cristóbal Baja in Todos Santos.

Details:

• Editor: Angelika Taschen; Texts By: Christiane Reiter
• Hardcover, 9.4 x 11.9 in., 5.27 lb, 360 pages
• ISBN 978-3-8365-8435-7

Defining Decadence

Fall under the spell of Gustav Klimt. The complete catalogue of his paintings, including new photographs of the Stoclet Frieze, this book follows the Viennese master through his prominent role in the Secessionist movement, his candid rendering of the female body, and the lustrous “golden phase” behind such shimmering works as The Kiss and Portrait of Adele Bloch-Bauer I.

Over a century after his death, Viennese artist Gustav Klimt (1862–1918) still startles with his unabashed eroticism, dazzling surfaces, and artistic experimentation. This monograph gathers all of Klimt’s major works alongside authoritative art historical commentary and privileged access to the artist’s archive.

With top quality illustration, including new photography of the celebrated Stoclet Frieze, the book follows Klimt through his prominent role in the Secessionist movement of 1897, his candid rendering of the female body, and his lustrous “golden phase” when gold leaf brought a shimmering tone and texture to such beloved works as The Kiss and Portrait of Adele Bloch-Bauer I, also known as The Woman in Gold.

Through luminous spreads and carefully curated details, the monograph traces the repertoire ofJapanese, Byzantine, and allegorical stimuli that informed Klimt’s flattened perspectives, his symbolic vocabulary, and his mosaic-like textures. Drawing upon contemporary critics and voices, the book also examines the art world’s polarized reception to Klimt’s pictures as much as his own stylistic trajectory. From his landscape painting to erotic works to the controversial ceiling for the Great Hall of the University of Vienna, we see how Klimt’s admixture of tradition and daring divided the press and public—becried by some as a pornographer, hailed by others as a modern maestro.

Details:

• The Author + Editor: Tobias G. Natter
  
• Hardcover with fold-outs, 11.4 x 15.6 in., 17.17 lb, 676 pages
• ISBN 978-3-8365-2795-8
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tAn earthly delight not to be missed

Delicious demons, nightmare creatures, and atrocious angels; no painter has come close to the fantastical schemes of Hieronymus Bosch. This enormous publication presents his extraordinary works in suitable scale, showcasing both their compositional magnitude and cryptic details. Delve deep into the artist’s complete works, through fresh photographs of recently restored paintings and magnificent fold-out spreads of The Last Judgement and The Garden of Earthly Delights.

In the midst of the realist-leaning artistic climate of the Late Gothic and Early Renaissance, Netherlandish painter Hieronymus Bosch (c. 1450–1516) was more than an anomaly. Bosch’s paintings are populated with grotesque scenes of fantastical creatures succumbing to all manner of human desire, fantasy, and angst. One of his greatest inventions was to take the figural and scenic representations known as drolleries, which use the monstrous and the grotesque to illustrate sin and evil, and to transfer them from the marginalia of illuminated manuscripts into large-format panel paintings. Alongside traditional hybrids of man and beast, such as centaurs, and mythological creatures such as unicorns, devils, dragons, and griffins, we also encounter countless mixed creatures freely invented by the artist. Many subsidiary scenes illustrate proverbs and figures of speech in common use in Bosch’s day. In his Temptation of St Anthony triptych, for example, the artist shows a messenger devil wearing ice skates, evoking the popular expression that the world was “skating on ice”—meaning it had gone astray. In his pictorial translation of proverbs, in particular, Bosch was very much an innovator.

Bosch—whose real name was Jheronimus van Aken—was widely copied and imitated: the number of surviving works by Bosch’s followers exceeds the master’s own production by more than tenfold. Today only 20 paintings and eight drawings are confidently assigned to Bosch’s oeuvre. He continues to be seen as a visionary, a portrayer of dreams and nightmares, and the painter par excellence of hell and its demons.

Featuring brand new photography of recently restored paintings, this exhaustive book, published in view of the upcoming 500th anniversary of Bosch’s death, covers the artist’s complete works. Discover Bosch’s pictorial inventions in splendid reproductions with copious details and a huge fold-out spread, over 110 cm (43 in.) long, of The Garden of Earthly Delights. Art historian and acknowledged Bosch expert Stefan Fischer examines just what it was about Bosch and his painting that proved so immensely influential.

Details:

• The Author: Stefan Fischer
• Hardcover with 2 fold-outs and ribbon bookmark, 11.4 x 15.6 in, 300 pages, in cardboard box with handle
• ISBN 978-3-8365-2629-6
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The most distinguished artist of Edo-period Japan, explored like never before

From haunting ghosts to alluring women, or the landscapes of Mount Fuji and the Tōkaidō road: the woodblock prints, paintings, and book illustrations of Hokusai reveal a masterfully versatile career. Packed with new photography and artworks from over 100 institutions worldwide, this is the most complete profile yet of Japan’s preeminent artist.

Celestial Citrus

Citrons, lemons, and bitter oranges float like heavenly bodies above Italian villas, Nuremberg gardens, and picturesque countryside in J. C. Volkamer’s ode to the citrus fruit. Reproducing a rare hand-colored set of the copper plates, this publication shows 170 varieties of citrus fruits. Full of fragrance and color, they revive a time when fruits really were exotic.

Have you ever thought of citrus fruits as celestial bodies, angelically suspended in the sky? Perhaps not, but J. C. Volkamer (1644–1720) did—commissioning an extravagant and breathtaking series of large-sized copperplates representing citrons, lemons, and bitter oranges in surreal scenes of majesty and wonder.

Ordering plants by post mostly from Italy, Germany, North Africa, and even the Cape of Good Hope, the Nuremberg merchant Volkamer was a devotee of the fragrant and exotic citrus at a time when such fruits were still largely unknown north of the Alps. His garden came to contain a wide variety of specimens, and he became so obsessed with the fruits that he commissioned a team of copperplate engravers to create 256 plates of 170 varieties of citrus fruits, many depicted life size, published in a two-volume work. The first volume appeared in 1708, with the impressively lengthy title The Nuremberg Hesperides, or: A detailed description of the noble fruits of the citron, lemon and bitter orange; how these may be correctly planted, cared for and propagated in that and neighboring regions.

In both volumes, Volkamer draws on years of hands-on experience to present a far-reaching account of citrus fruits and how to tend them—from a meticulous walk-through of how to construct temporary orangeries, glasshouses, and hothouses for growing pineapples to commentary on each fruit variety, including its size, shape, color, scent, tree or shrub, leaves, and country of origin.

In each plate, Volkamer pays tribute to the verdant landscapes of Northern Italy, his native Nuremberg, and other sites that captured his imagination. From Genovese sea views to the Schönbrunn Palace, each locale is depicted in the same exceptional detail as the fruit that overhangs it. We witness branches heavy with grapefruits arching across a sun-bathed yard in Bologna and marvel at a huge pineapple plant sprouting from a South American town. The result is at once a fantastical line-up of botanical beauty and a highly poetic tour through the lush gardens and places where these fruits grew.

Few colored sets of Volkamer’s work are still in existence today. This publication draws on the two recently discovered hand-colored volumes in the city of Fürth’s municipal archive in Schloss Burgfarrnbach. The reprint also includes 56 newly discovered illustrations that Volkamer intended to present in a third volume.

Details:

• Author: Iris Lauterbach
• Clothbound, 10.9 x 15.6 in., 384 pages
• ISBN 978-3-8365-3525-0
• This item is Final Sale
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The true beauty of stone presented by Dutch publisher Jan Christiaan Sepp

In 1776, at the Enlightenment’s height, Jan Christiaan Sepp published a wholly unique and striking work: A Representation of Marble Types. Across 100 richly hand-colored plates, it traced an elegant visual journey through 570 different marble types. This facsimile edition, a world first, devotedly brings to life a forgotten book of great knowledge and rare beauty.

Brilliant Basquiat

Get up close to the bold brushwork and scribbled words of Jean-Michel Basquiat, one of the most successful artists of his time. This XXL-sized monograph gathers Basquiat’s major works in pristine reproduction. Texts by editor Hans Werner Holzwarth and curator and art historian Eleanor Nairne introduce us to a legend synonymous with 1980s New York.

The legend of Jean-Michel Basquiat is as strong as ever. Synonymous with New York in the 1980s, the artist first appeared in the late 1970s under the tag SAMO, spraying caustic comments and fragmented poems on the walls of the city. He appeared as part of a thriving underground scene of visual arts and graffiti, hip hop, post-punk, and DIY filmmaking, which met in a booming art world. As a painter with a strong personal voice, Basquiat soon broke into the established milieu, exhibiting in galleries around the world.

Basquiat’s expressive style was based on raw figures and integrated words and phrases. His work is inspired by a pantheon of luminaries from jazz, boxing, and basketball, with references to arcane history and the politics of street life—so when asked about his subject matter, Basquiat answered “royalty, heroism and the streets.” In 1983 he started collaborating with the most famous of art stars, Andy Warhol, and in 1985 was on the cover of The New York Times Magazine. When Basquiat died at the age of 27, he had become one of the most successful artists of his time.

This book allows an unprecedented insight into Basquiat’s art, with pristine reproductions of his most seminal paintings, drawings, and notebook sketches. In large-scale format, the book offers vivid proximity to Basquiat’s intricate marks and scribbled words, further illuminated by an introduction to the artist from editor Hans Werner Holzwarth, as well as an essay on his themes and artistic development from curator and art historian Eleanor Nairne. Richly illustrated year-by-year chapter breaks follow the artist’s life and quote from his own statements and contemporary reviews to provide both personal background and historical context.

Details:

• The Authors: Eleanor Nairne
• The Editor: Hans Werner Holzwarth
• Hardcover, 29 x 39.5 cm, 4.93 kg, 500 pages, with 5 fold-outs
• ISBN 978-3-8365-5037-6
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Leonardo in Detail

Leonardo da Vinci is a key figure of the Italian Renaissance. This updated XXL monograph presents all his paintings and almost 700 drawings – the most comprehensive survey to date on the master artist, architect, and inventor. Discover the finest subtleties in the brushstrokes that revolutionized art with full-page, detailed photos.

Unmatched in his ingenuity, technical prowess, and curiosity, Leonardo da Vinci (1452–1519) epitomizes the humanistic ideal of the Renaissance man: a peerless master of painting, sculpture, cartography, anatomy, architecture – and more. Simultaneously captivating art historians, collectors, and the millions who flock yearly to admire his works, Leonardo’s appeal is as diffuse as were his preoccupations. His images permeate nearly every facet of Western culture – The Vitruvian Man is engraved into millions of Euro coins, The Last Supper is considered the single most reproduced religious painting in history, and the Mona Lisa has entranced countless artists and observers for centuries.

This updated edition of our XL monograph is an unrivaled survey of Leonardo’s life and work, including a catalogue raisonné of all paintings. Through stunning full-bleed details, we experience every measured brushstroke, each a testament to Leonardo’s masterful ability.

An expansive catalog of nearly 700 of Leonardo’s drawings further illuminates the breadth of his pursuits. From diagrams of intricately engineered machines to portraits of plump infants, they stand reflective of his boundless and visionary technical imagination, balanced with a subtle and perceptive hand, capable of rendering quotidian moments with moving emotional timbre.

For the new edition, Frank Zöllner has written a new preface in which he considers the latest scholarly findings on Leonardo’s oeuvre and takes a critical look at the much-discussed painting Christ as Salvator Mundi, sold at auction for the record sum of around 400 million euros. Numerous illustrations have been replaced by new photographs.

Details:

• The Authors: Frank Zöllner, Johannes Nathan
  
• Hardcover, 11.4 x 15.6 in., 18.06 lb, 712 pages
• ISBN 978-3-8365-8597-2
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The LIFE archives spotlight Hollywood and the magic of the movies

The golden age of the world’s most popular weekly photography magazine (1936-1972) coincided with Hollywood’s most glamorous decades. Featuring hundreds of meticulously researched and curated images from the vast LIFE archive, capturing “more stars than there are in Heaven,” location shoots, Oscar nights, homes, alluring parties, and more.

Long Live Love! Mario Testino's celebration of weddings.

In I Love You, Mario Testino presents a celebration of weddings. A beginning in life —that is also a culmination and a public promise – captured by a unique photographic point of view which shows beauty not only in emotion and tradition, but in the complete intimacy of shared joy.

Featuring essays by the illustrious fashion designer Carolina Herrera and party expert Riccardo Lanza, the book traces Testino’s memories of many iconic moments and many unknown ones, captured in the privacy of close friendship and family. Unparalleled access unveils the secret, the tender, the wild and the festive of such celebrations, some of which can be considered the most talked-about unions of the past four decades.

I Love You is a homage to weddings and to everything they comprise. A love declaration and a glimpse into the heart of brides getting ready, special rites among friends, the zest of extraordinary parties. Every image showing the unique fantasies of a life to start anew.

Details:

• Photographer & Author: Mario Testino; Contributing Authors: Carolina Herrera, Riccardo Lanza
• Hardcover, 10.3 x 13.8 in., 4.22 lb, 248 pages
• ISBN 978-3-8365-9201-7

Despite vanishing from Earth 66 million years ago, dinosaurs are one of our favorite cultural fascinations. In this history of paleoart, writer Zoë Lescaze and artist Walton Ford scour the globe for dinosaur paintings, drawings, prints, mosaics, and murals. Dating from early 19th century to the digital era, this collection is a celebration of one of man’s most imaginative pictorial traditions.

It was 1830 when an English scientist named Henry De la Beche painted the first piece of paleoart, a dazzling, deliciously macabre vision of prehistoric reptiles battling underwater. Since then, artists the world over have conjured up visions of dinosaurs, woolly mammoths, cavemen, and other creatures, shaping our understanding of the primeval past through their exhilarating images.

In this unprecedented new book, writer Zoë Lescaze and artist Walton Ford present the astonishing history of paleoart from 1830 to 1990. These are not cave paintings produced thousands of years ago, but modern visions of prehistory: stunning paintings, prints, drawings, sculptures, mosaics, and murals that mingle scientific fact with unbridled fantasy. The collection provides an in-depth look at this neglected niche of art history and shows how the artists charged with imagining extinct creatures often projected their own aesthetic whims onto prehistory, rendering the primordial past with dashes of Romanticism, Impressionism, Japonisme, Fauvism, and Art Nouveau, among other influences.

With an incisive essay from Lescaze, a preface by Ford, four fold-outs, and dozens of details, the book showcases a stunning collection of artworks culled from major natural history museums, obscure archives, and private collections, and includes new photography of key works, including Charles R. Knight’s seminal paintings in Chicago and little-known masterpieces such as A. M. Belashov’s monumental mosaic in Moscow. From the fearsome to the fantastical, Paleoart is acelebration of prehistoric animals in art, and a novel chance to understand our favorite extinct beasts through an art historical lens.

Details:

• The Contributing Editor: Walton Ford, The Editor and Author: Zoë Lescaze
• Hardcover with four fold-outs, 9.8 x 13.4 in., 6.79 lb, 292 pages
• ISBN 978-3-8365-5511-1
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The photographer and the couturier, were united by their love of black, a love that they would cultivate alike in silver print and solid color garments. Lindbergh ceaselessly turned to black and white to signify his search for authenticity in the faces he brought to light. Alaïa drew on the monochrome of timeless clothes to create veritable sculptures for the body.

In this book, the unique dialogue between the two artists is immortalized in print. Illustrating their community of spirit, its images are a celebration of their artistic partnership and testament to their history-making achievements in photography and fashion.

Details:

• Photographer: Peter Lindbergh
• With contritutions by Fabrice Hergott, director of the Musée d’Art Moderne de la Ville de Paris, Paolo Roversi, photographer, and Olivier Saillard, fashion historian and director of the Fondation Azzedine Alaïa, Paris.
• Hardcover, 9.4 x 12.9 in., 240 pages
• ISBN 978-3-8365-8655-9

Dior by Peter Lindbergh

70 years of Dior history set against the bustle of Times Square: this was Peter Lindbergh’s concept, extraordinary both in scope and dimension, for which the House allowed an unprecedented number of its most iconic garments to travel across the Atlantic. In this two-volume compendium, the legendary photographer’s final book project, discover the shoot in never-before-published images, as well as a tribute to an electrifying partnership between two pillars of fashion.

Peter Lindbergh photographed Dior’s most exceptional muses, Marion Cotillard and Charlize Theron among them, and signed campaigns for Lady Dior and J'Adore with his inimitable style. Throughout his career, the photographer was one of the House’s closest collaborators. This final book was an original co-creation that was close to the artist’s heart—and to ours.

Seventy years of Dior history projected against the effervescence of Times Square, New York: this was the concept behind Lindbergh’s project, extraordinary both in scope and dimension, for which Dior, in an unusual move, allowed an unprecedented number of priceless garments to be taken from its vaults in Paris and shipped across the Atlantic.

The result is electric. Amid the frenzy of Times Square, Alek Wek glows in the immaculate 1947 Bar suit, the storied ensemble that launched the House of Dior. In snatches of street scenes, models Saskia de Brauw, Karen Elson, and Amber Valletta flit through crowds and scaffolding, are reflected in building façades, and draped in haute couture, from pieces hand-sewn by Christian Dior to more recent designs by Maria Grazia Chiuri. Lindbergh’s trademark monochrome and color photographs masterfully highlight the intricacies, silhouettes, and textures of each garment.

Lindbergh himself is present in every aspect of this two-volume publication designed by his long-time collaborator and friend Juan Gatti. Volume one features 165 never-before-published images from the shoot, including an introduction by Martin Harrison. Volume two pays homage to Lindbergh’s profound relationship with the Parisian House by curating more than 100 of his photographs of Dior creations, from haute couture to ready-to-wear, men’s and women’s, originally published in some of the world’s most prestigious magazines such as Vogue and Harper’s Bazaar. A breathtaking tribute to two pillars of fashion and photography and their timeless collaborations.

Details:

• The Photographer: Peter Lindbergh
• The Contributing Author: Martin Harrison
• Hardcover, two vols. in slipcase, 11.0 x 14.6 in., 12.40 lb, 520 pages
• ISBN 978-3-8365-7990-2
• This item will ship directly from Taschen